BOOKS (AUTHOR, CO-AUTHOR, EDITOR)

  • Sad Planets. Co-author with Dominic Pettman. London: Polity, 2024.

  • Siavash Amini & Eugene Thacker. Songs for Sad Poets. Music album + poetry booklet. Lucerne: Hallow Ground, 2022.

  • Co-editor, with Tariq Goddard, The Repeater Book of the Occult. London: Repeater/Penguin Random House, 2021.

  • Editor, Arthur Schopenhauer, On the Suffering of the World. London: Repeater/Penguin Random House, 2020.

  • An Ideal for Living – An Anti-Novel [20th Anniversary Edition]. London: Schism Press, 2020 [2000].

  • Infinite Resignation. London: Repeater/Penguin Random House, 2018. 

  • Tentacles Longer Than Night – Horror of Philosophy, vol. 3. Alresford, Hants (UK): Zero Books, 2015.

  • Starry Speculative Corpse – Horror of Philosophy, vol. 2. Alresford, Hants (UK): Zero Books, 2015.

  • Cosmic Pessimism. Minneapolis: Univocal Publishing, 2015.

  • And They Were Two In One and One In Two. Co-editor with Nicola Masciandaro. London: Schism, 2014.

  • Alexander Galloway, Eugene Thacker, and McKenzie Wark. Excommunication: Three Inquiries in Media and Mediation. Chicago: University of Chicago Press, 2013.

  • Daniel Colucciello Barber, Alexander Galloway, Nicola Masciandaro, Eugene Thacker, and François Laruelle. Dark Nights of the Universe. Miami: [name], 2013.

  • Co-editor with Nicola Masciandaro and Ed Keller. Leper Creativity: The Cyclonopedia Symposium. Brooklyn: Punctum Books, 2012.

  • In The Dust of This Planet – Horror of Philosophy vol. 1. Alresford, Hants (UK): Zero Books, 2011.

  • After Life. Chicago: University of Chicago Press, 2010.

  • The Exploit: A Theory of Networks. Co-author with Alexander Galloway. Minneapolis: University of Minnesota Press, 2007.

  • The Global Genome: Biotechnology, Politics, and Culture. Cambridge: MIT Press, 2005.

  • Creative Biotechnology: A Biotech Hobbyist User’s Manual. Co-author with Natalie Jeremijenko. London: Locus+/Wellcome Trust, 2004.

  • Biomedia. Minneapolis: University of Minnesota Press, 2004.

  • Editor & designer, Hard_Code: Electronic Prose. Boulder: ALT-X Press, 2001.

  • Into the Influx Incision – Selected Texts. Book design by Marie Thacker. Seattle: Mercury Arts, 1994.  

BOOKS IN TRANSLATION

  • Rassegnazione Infinita. Trans. Claudio Kulesko. Rome: Nero, 2022. Italian translation of Infinite Resignation.

  • Ekskommunikatsiya. Trans. Alexandra Grishina. Moscow: Ad Marginem, 2022. Russian translation of Alexander Galloway, Eugene Thacker, & McKenzie Wark, Excommunication - Three Inquiries in Media and Mediation

  • Tri teksta o zarazhenii (Three Essays on Contagion). Ed. Dmitry Vyatkin. Perm (Russia): Hyle Press, 2020. Russian translation of selected essays.

  • I denne planets støv. Filosofiens horror. Trans. René Jean Jensen. Copenhagen: Mindspace Forlaget, 2020. Danish translation of In The Dust of This Planet – Horror of Philosophy vol. 1.

  • Im Staub des Planeten. Trans. Frank Born. Berlin: Matthes & Seitz, 2020. German translation of In The Dust of This Planet – Horror of Philosophy vol. 1.

  • Shchupal'tsa dlinneye nochi – Uzhas filosofii. Ed. Dmitry Vyatkin, trans. Andrey Ivanov. Perm (Russia): Hyle Press, 2020. Russian translation of Tentacles Longer Than Night – Horror of Philosophy, vol. 3.

  • Zvezdnyy Spekulyativnyy Trup – Uzhas Filosofii. Ed. Dmitry Vyatkin, trans. Andrey Ivanov. Perm (Russia): Hyle Press, 2019. Russian translation of Starry Speculative Corpse – Horror of Philosophy, vol. 2.

  • Rutilante cadáver especulativo – El horror de la filosofía vol. 2. Trans. Francisco Jota Pérez. Materia Oscura, 2019. Spanish translation of Starry Speculative Corpse – Horror of Philosophy, vol. 2.

  • Tra Le Ceneri di Questo Pianeta. Trans. Claudio Kulesko. Rom: Nero Books, 2019. Italian translation of In The Dust of This Planet – Horror of Philosophy vol. 1.

  • V pyli etoy planety – Uzhas filosofii. Ed. Dmitry Vyatkin, trans. Andrey Ivanov. Perm (Russia): Hyle Press, 2017. Russian translation of In The Dust of This Planet – Horror of Philosophy vol. 1.

  • Pesimismo Cósmico. Trans. José Pons Bertran. Santa Cruz de Tenerife: Melusina, 2017. Spanish translation of Cosmic Pessimism.

  • Kosmisk Pessimisme. Trans. Andreas Eckhardt-Læssøe. Dortheavej: OVO Press, 2016. Danish translation of Cosmic Pessimism.

  • En El Polvo De Este Planeta – El horror de la filosofía vol. 1. Trans. Hugo Castignani. Madrid: Materia Oscura, 2015. Spanish translation of In The Dust of This Planet – Horror of Philosophy vol. 1.

ARTICLES (JOURNALS, MAGAZINES, ANTHOLOGIES)

  • “Notes on True Detective” (with Tariq Goddard). The Quietus (19 February 2024).

  • “Beasts of Sorrow.” Afterword for Ron Broglio, Animal Revolution. University of Minnesota Press, 2022.

  • “Black Bile” (artwork by Prema Murthy). Infinity Land Press Anthology, ed. Steve Finbow, 2021.

  • “How Algernon Blackwood Turned Nature into Sublime Horror.” LitHub (8 March 2021). Excerpted from The Repeater Book of the Occult.

  • “Black Bile / Bilis negra.” Letras en Línea, 25 September 2020. Spanish translation by Gastón Carrasco.

  • “Criptobiologie.” Divenire Invertebrato. Ed. Massimo Filippi and Enrico Monacelli. Ombre Corte, 2020. Italian translation.

  • The Quarantine Files: Thinkers in Self-Isolation. Ed. Brad Evans. Los Angeles Review of Books (14 April 2020): https://lareviewofbooks.org/article/quarantine-files-thinkers-self-isolation.

  • “Pessimism, Futility, and Extinction: An Interview with Eugene Thacker.” Interviewed by Thomas Dekeyser. Theory, Culture & Society (17 March 2020).

  • “Biomedia.” Emilio Vavarella, rs548049170-1-69869-TT. Mousse Publishing/DAP, 2020. Reprint.

  • “Naturhorror and the Weird.” Spaces and Fictions of the Weird and the Fantastic: Ecologies, Geographies, Oddities. Ed. Julius Greve et al. Palgrave, 2019.

  • “Dark Media.” SORT Zine, Issue 4 (Winter 2019): http://sort-studio.co.uk.

  • Foreword to All Gall is Divided, by E.M. Cioran. New York: Arcade, 2019.

  • “Sound of the Abyss”/“Days of Wrath.” Unsound/Undead. Ed. Steve Goodman, Toby Heys, Eleni Ikoniadou. Urbanomic, 2019.

  • “Notes on an Impersonal Life.” Tolstoy Studies Journal XXIX – A Critical Guide to Tolstoy’s On Life, ed. Inessa Medzhibovskaya (2019): 139-47.

  • Preface to Death Mort Tod: A European Book of the Dead, by Steve Finbow & Karolina Urbaniak. London: Infinity Land Press, 2018.

  • “The Patron Saints of Pessimism: A Writer’s Pantheon.” LitHub (19 July 2018). Excerpted from Infinite Resignation.

  • “Misanthropos.” Wound of Wounds: A Tribute to E.M. Cioran. Ed. Dan Ghetu. Bucharest: Ex Occidente Press, 2018.

  • “Kozmikus pesszimizmus.” Azilum Magazin #7 (2018). Hungarian translation.

  • Foreword to History and Utopia, by E.M. Cioran. New York: Arcade, 2018.

  • “Landscapes of Solitude.” Too Much Magazine, Issue 8 (Summer 2018).

  • “Tentakel, länger als die Nacht.” Am Strand, Issue 3 (2018). German translation.

  • “Darklife: Negation, Nothingness, and the Will-to-Life in Schopenhauer.” Posthumous Life: Theorizing Beyond the Posthuman. Ed. Claire Colebrook and Jami Weinstein. Columbia University Press, 2017. Reprint.

  • “Nekros; or, the Poetics of Biopolitics.” Zombie Theory: A Reader. Ed. Sara Lauro. University of Minnesota Press, 2017. Reprint.

  • “Thought and Unthought.” Guest - Ghost - Host: Machine, Serpentine Galleries exhibition catalog (7 October 2017): http://www.serpentinegalleries.org.

  • “Weird, Eerie, Monstrous: A Review of Mark Fisher’s The Weird and the Eerie.” b2O – boundary 2 Online (27 June 2017): http://www.boundary2.org.

  • “Data Made Flesh.” Alien Matter: Transmediale 2017. Ed. Inke Arns. DZA Druckerei zu Altenburg GmbH, 2017. Reprint.

  • “Notes on the Axiomatic of the Desert.” City of Heretics: François Laruelle’s Non-Philosophy & Its Variants. Ed. Anthony Paul Smith. London: Routledge, 2017. Reprint.

  • “Dark Contemplation.” Taku Unami. Cloud of Unknowing. Tenseless Music, 2017. CD liner notes.

  • “Biopoetics.” Eduardo Kac: Telepresence, Bio Art & Poetry, 1980-2010. Chicago: Video Data Bank, 2017.

  • “Defining J-horror: The Erotic, Grotesque Nonsense of Edogawa Rampo.” The Japan Times 7 January 2017 (print and online): http://www.japantimes.co.jp.

  • “Defining J-horror: The Terror of Deep Time.” The Japan Times 10 December 2016 (print and online): http://www.japantimes.co.jp.

  • “Defining J-horror: Early Encounters with the Unhuman.” The Japan Times 5 November 2016 (print and online): http://www.japantimes.co.jp.

  • “All for Naught.” The Digital Dionysus: Nietzsche & the Network-Centric Condition. Ed. Dan Mellamphy and Nandita Biswas Mellamphy. Punctum Books, 2016.

  • “Black Illumination: Zen and the Poetry of Death.” The Japan Times 2 July 2016 (print and online): http://www.japantimes.co.jp.

  • “Black Illumination: Haruo Sato’s Lush, Gloomy Landscapes.” The Japan Times 4 June 2016 (print and online): http://www.japantimes.co.jp.

  • “Black on Black.” The Public Domain Review – Selected Essays vol. III. Ed. Adam Green. Public Domain Review, 2016. Reprint.

  • “Cosmic Pessimism.” Speculation, Heresy, and Gnosis in Contemporary Philosophy of Religion. Ed. Joshua Ramey and Matthew Farris. Rowman & Littlefield, 2016. Reprint.

  • “Black Illumination: The Abyss of Keiji Nishitani.” The Japan Times 30 April 2016 (print and online): http://www.japantimes.co.jp.

  • “Black Illumination: The Disqualified Life of Osamu Dazai.” The Japan Times 26 March 2016 (print and online): http://www.japantimes.co.jp.

  • “Black Illumination: The Unhuman World of Junji Ito.” The Japan Times 30 January 2016 (print and online): http://www.japantimes.co.jp.

  • “12 Fragments on Nihilism.” Four By Three Magazine, issue 5 (2016): http://www.fourbythreemagazine.com.

  • “Black Infinity, or Oil Discovers Humans.” La Planète Laboratoire no. 5 (2016): 18-19.

  • “Black Bile.” Mors Mystica: Black Metal Theory Symposium. Ed. Edia Connole and Nicola Masciandaro. Schism, 2015.

  • “Divine Darkness.” Near East Magazine (Spring 2015).

  • “An Expiatory Pessimism.” Serial Killing: A Philosophical Anthology. Ed. Edia Connole and Gary Shipley. Schism, 2015. Reprint.

  • “Dark Media.” Fort Cinema Vol. 01 (2015). Japanese translation.

  • “Black on Black.” Public Domain Review (2015): http://publicdomainreview.org. Reprint.

  • “Biophilosophy for the 21st Century.” Gendai-Shiso vol. 43-10 (2015): 47-62. Japanese translation.

  • “Pessimism and Realism.” Realism, Materialism, Art. Ed. Christoph Cox and Suhail Malik. Sternberg Press, 2014.

  • “Black Bile.” Plinth issue 2 (2014): http://www.plinth.us.

  • “Kosmischer Pessimus.” Abyssus Intelletualis - Spekulativer Horror. Ed. Björn Quiring. Merve Verlag, 2014. German translation.

  • “An Expiatory Pessimism.” Transactions of the Flesh: An Homage to J-K Huysmans. Ed. D.P. Watt and Peter Holman. Ex Occidente Press, 2014.

  • “Biofilosofía para el siglo XXI.” Pròs Bíon: Reflexiones Naturales sobre Arte, Ciencia y Filosofía. Ed. María Antonia González Valerio. Universidad Nacional Autónoma de México, 2014. Spanish translation.

  • “Sound of the Abyss.” Melancology: Black Metal Theory Symposium. Ed. Scott Wilson. Zero Books, 2014.

  • “Cosmic Pessimism.” Bezna no. 5 (2014): 91-105. Reprint. Also collected in Bezna, eds. Alina Popa and Florin Fleuras (Bucharest: Punch, 2021).

  • “Magic.” On the Archaeology of Arts and Media/Zur Archäologie & Variantologie der Künste & Medien, ed. Siegfried Zielinski et al. Edith-Russ-Haus, 2014.

  • “Notes on the Axiomatic of the Desert.” Angelaki (special issue François Laruelle, 2014).

  • “We Cartographers of Old.” Foreword to Erik Davis, Techgnosis. Three Rivers Press, 2014.

  • “As If.” Afterword for D.P. Watt, The Phantasmagorical Imperative and Other Stories. Eageus Press, 2014

  • “On Ascensionism.” Inflexions no. 7 (special issue Animating Biophilosophy, 2014): 1-7.

  • “Antimédation.” Multitudes 51 (special issue Envoûtements médiatiques, 2013): 99-110. French translation.

  • “Divine Darkness.” Speculative Medievalisms. Ed. Eileen Joy et al. Punctum Books, 2013.

  • Introduction and Annotations to Clive Barker, Cabal and Other Annotations. Ed. Jason Cook. Fiddleblack Press, 2013.

  • “Apophatic Animality: Lautréamont and Non-Life.” Angelaki 18.1 (March 2013): 83-98.

  • “Black Infinity, or Oil Discovers Humans.” Pages no. 9 (2013): 111-16. Farsi translation.

  • Co-editor with Nicola Masciandaro, Glossator: Theory and Practice of the Commentary, vol. 7 (special issue The Mystical Text, 2013): http://glossator.org.

  • “Lacking a Homunculus – Nietzsche’s Human, All Too Human.” Radical Philosophy 181 (Sept./Oct. 2013): 51-54.

  • “Occultural Studies 9: The Period of the Sleeping Fits.” Mute (16 October 2013): http://www.metamute.org.

  • “Remote - On the Forgetting of the World.” Dark Nights of the Universe. Co-authored with Daniel Colucciello Barber, Alexander Galloway, Nicola Masciandaro, and François Laruelle. Miami: [name], 2013.

  • “Occultural Studies 8: Black on Black.” Mute (17 July 2013): http://www.metamute.org.

  • “Occultural Studies 7: We Are Not From Here.” Mute (19 March 2013): http://www.metamute.org.

  • “Cosmic Pessimism.” Continent 2.2 (2012): http://continentcontinent.cc.

  • “Occultural Studies 6: Melody and Melancholy.” Mute (23 August 2012): http://www.metamute.org.

  • “Vermittlung und Antivermittlung.” Die Technologische Bedingung. Ed. Erich Hörl. Suhrkamp Verlag, 2012. German translation.

  • “Life After Life.” TransLife – The International Triennial of New Media Art. Ed. Fan Di’An and Zhang Ga. Liverpool University Press, 2012. Chinese translation.

  • “Black Infinity; or, Oil Discovers Humans.” Leper Creativity – The Cyclonopedia Symposium. Ed. Ed Keller, Nicola Masciandaro, and Eugene Thacker. Punctum Books, 2012.

  • “Occultural Studies 5: The Mourning of Anti-Music.” Mute (27 March 2012): http://www.metamute.org.

  • “Occultural Studies 4: Philosophical Doomcore.” Mute (24 January 2012): http://www.metamute.org.

  • “Day of Wrath.” Glossator: Theory and Practice of the Commentary vol. 6 - Black Metal (2012): 98-109 (also at http://glossator.org).

  • “Notes on Extinction and Existence.” Configurations 20: 1/2 (special issue Kim Stanley Robinson, Winter-Spring 2012): 137-48.

  • “Wayless Abyss: Mysticism, Mediation, and Divine Nothingness,” Postmedieval 3.1 (2012; special issue Becoming-Media): 80-96.

  • “Nekros; or, the Poetics of Biopolitics.” Incognetum Hactenus – A Journal of Art, Horror, and Philosophy vol. 3 (2012): http://incognetumhactenus.wordpress.com.

  • “Dark Matters and Dark Media.” Conveyor Magazine no. 4 (2012): 8-11.

  • “Long Hair of Death.” Veils – Terence Hannum exhibition catalog. Stevenson University Exhibitions Program, 2012.

  • “Unnameable Thing.” Nyx – A Nocturnal #6 (2012; special issue Monsters).

  • “Exobiologies.” Evolution Haute Couture: Art and Science in the Post-Biological Age. Ed. Dmitry Bulatov. NCCA, 2012. Russian translation.

  • “Mystique of Mysticism.” Alexander Galloway, French Theory Today – An Inventory of Possible Futures. The Public School, 2012.

  • Foreword to A Short History of Decay, by E.M. Cioran. New York: Arcade, 2012.

  • Foreword to The Temptation to Exist, by E.M. Cioran. New York: Arcade, 2012.

  • Foreword to The Trouble With Being Born, by E.M. Cioran. New York: Arcade, 2012.

  • Foreword to Drawn and Quartered, by E.M. Cioran. New York: Arcade, 2012.

  • Foreword to Anathemas and Admirations, by E.M. Cioran. New York: Arcade, 2012

  • “After Life: Swarms, Demons, and the Antinomies of Immanence.” Theory After Theory. Ed. Derek Attridge and Jane Elliott. Routledge, 2011. Reprint.

  • “Necrologies: The Death of the Body Politic.” Beyond Biopolitics: Essays on the Governance of Life and Death. Ed. Patricia Clough and Craig Wilse. Duke University Press, 2011.

  • “Cryptobiologies.” Second Nature: Origins and Originality in Art, Science, and Media. Ed. Rolf Hughes and Jenny Sundén. Axl Books, 2011. Reprint.

  • “Spiritual Meat: Resurrection and Religious Horror in Bataille.” Collapse vol. VII (2011; special issue Culinary Materialism): 437-77.

  • “Darklife: Negation, Nothingness, and the Will-to-Life in Schopenhauer.” Parrhesia no. 12 (2011): 12-27.

  • “Thing and No-Thing.” And They Were Two In One And One In Two: Essays on Beheading and Cinema. Ed. Nicola Masciandaro and Eugene Thacker. n.p.: MagCloud, 2011.

  • “Review of Francisco López – Through the Looking Glass.” Leonardo Reviews (December 2011): http://leonardo.info.

  • “This Mysterious ‘This’: Joe Milutis in Conversation with Eugene Thacker.” CTHEORY (19 October 2011): http://www.ctheory.net.

  • “Occultural Studies 3: Devil’s Switchboard.” Mute (26 May 2011): http://www.metamute.org.

  • “Occultural Studies 2: Passionate Divas.” Mute (12 January 2011): http://www.metamute.org.

  • “Biomedia.” Critical Terms in Media Studies. Ed. W.J.T. Mitchell and Mark Hansen. University of Chicago Press, 2010.

  • “Notes on Occult Media.” Volume Magazine #24 (2010): 132-36.

  • “Pulse Demons.” Ana-Maria Avram/Iancu Dumitrescu. Live in London. Edition Modern, 2010. CD liner notes; Romanian translation.

  • “On Life and the Living.” Epistemologie und Differenz. Ed. Bettina Bock-Wülfingen. Transcript Verlag, 2010. German translation.

  • “Three Questions on Demonology.” Hideous Gnosis: Black Metal Theory Symposium. Ed. Nicola Masciandaro. n.p.: Createspace, 2010.

  • “Review of Philosophers of Nothingness: An Essay on the Kyoto School by James Heisig,” Parrhesia 10 (2010): http://www.parrhesiajournal.org.

  • “Occultural Studies 1: Black Meta.” Mute (24 August 2010): http://www.metamute.org.

  • “Swarming: Number vs. Animal?” Deleuze and New Media. Ed. David Savat. University of Edinburgh Press, 2009.

  • “Netzwerke – Schwärme – Multitudes.” Schwärme – Kollektive ohne Zentrum. Ed. Eva Horn and Marcus Marco Gisi. Transcript Verlag, 2009. German translation.

  • “The Shadows of Atheology: Epidemics, Power, and Life in Foucault.” Theory, Culture & Society 26.6 (2009): 134-52.

  • “After Life: De anima and Unhuman Politics.” Radical Philosophy 155 (2009): 31-40.

  • “Biophilosophy for the 21st Century.” Critical Digital Studies. Ed. Arthur and Marilouise Kroker. University of Toronto Press, 2009. Reprint.

  • “On Narcolepsy” (co-authored with Alexander Galloway). Spam Book: Viruses, Porn, and Other Anomalies from the Dark Side of Digital Culture. Ed. Jussi Parikka and Tony Sampson. Hampton Press, 2009.

  • “Review of The Theatre of Production by Alberto Toscano.” Parrhesia 8 (2009): http://www.parrhesiajournal.org.

  • “Review of The Seven Beauties of Science Fiction by Istvan Csicery-Ronay.” Leonardo Digital Reviews (2009): http://leonardo.info.

  • “Insignifying Nothing: A Review of Paul Hegarty’s Noise/Music.” Journal of Semiotics (Summer 2009).

  • “Uncommon Life.” Tactical Biopolitics: Theory, Practice, & the Life Sciences. Ed. Beatriz da Costa and Kavita Phillip. MIT Press, 2008.

  • “Life-Resistance and Tactical Media.” Art in the Biotech Era. Ed. Melentie Pandilovski. EAF Press, 2008.

  • “Data Made Flesh; or, Biomedia and the Body.” Towards Humane Technologies: Biotechnology, New Media, and Ethics. Ed. Naomi Sunderlan et al. Sense Publishers, 2008.

  • “Biophilosophy for the 21st Century.” Aminima Magazine 23 (2008). Spanish translation.

  • Contributor. Visual Culture & Bioscience, ed. Suzanne Anker and J.D. Talasek. Center for Art, Design & Visual Culture, 2009.

  • “Review of Nihil Unbound: Enlightenment and Extinction by Ray Brassier.” Leonardo Digital Reviews (2008): http://leonardo.info.

  • “Review of Philosophies of Nature After Schelling by Iain Hamilton Grant.” Leonardo Digital Reviews (2008): http://leonardo.info.

  • “Dialogues Carried Out in Silence” (co-authored with Geert Lovink and Alexander Galloway). Grey Room 33 (Fall 2008): 96-112.

  • “Nine Disputations on Theology and Horror.” Collapse IV (special issue on Concept-Horror, 2008): 119-56.

  • “Review of Morton Feldman, String Quartet No. 2.” Leonardo Reviews 41.3 (2008): 287-300.

  • “Exobiologies.” Daniel Canogar: Otras Biologías exhibition catalog. Sala Parpalló, 2008. Spanish translation.

  • “Open Source DNA and Bioinformatic Bodies.” Signs of Life: Bio Art and Beyond. Ed. Eduardo Kac. MIT, 2007.

  • “Astrobiologies.” Shane Hope exhibition catalog. Project Gentili, 2007.

  • “Thought Creatures.” Theory, Culture & Society 24.7-8 (December 2007): 327-29.

  • “Biopoetics; or, a Pilot Plan for a Concrete Poetry.” Electronic Book Review (5 October 2007): http://www.electronicbookreivew.com.

  • “Pulse Demons.” Culture Machine 9 (2007): http://www.culturemachine.tees.ac.uk.

  • “Review of Out of This World: Deleuze and the Philosophy of Creation by Peter Hallward.” Leonardo Digital Reviews (2007): http://www.leonardo.info.

  • “Review of On Creaturely Life by Eric Santner.” Leonardo Digital Reviews (2007): http://www.leonardo.info.

  • “Review of A Book of Portraiture by Steve Tomasula.” Leonardo Digital Reviews (2007): http://www.leonardo.info.

  • “On Misanthropy” (co-authored with Alex Galloway). DATA Browser 03: Curating Immateriality. Ed. Joasia Krysa. Autonomedia, 2006.

  • “The Limits of Networking” (co-authored with Alexander Galloway). Censoring Culture: Contemporary Threats to Free Expression. Ed. Robert Atkins and Svetlana Mintcheva. The New Press, 2006.

  • “Cryptobiologies.” ArtNodes Journal 6 (November 2006): http://www.uoc.edu/artnodes.

  • “Review of Peter Tscherkassky: The Monograph.” Leonardo Digital Reviews (2006): http://www.leonardo.info.

  • “Review of What Do Images Want? by W.J.T. Mitchell.” Leonardo Digital Reviews (2006): http://www.leonardo.info.

  • “Language, Life, Code” (co-authored with Alexander Galloway). AD Architectural Design (September-October 2006): 26-30.

  • “The Everyday Cyborg.” Journal of Medical Humanities (2006).

  • “Biological Sovereignty.” Pli: The Warwick Journal of Philosophy no. 17 (Winter 2006): 1-21.

  • “L’incarnation du donnée: biotechnologie et la discourse du posthuman.” Art et Biotechnologies. Ed. Louise Poissant and Ernestine Daubner. Presses de l’Université du Québec, 2005. French translation.

  • “Biomaterial Labor and ‘Life Itself.’” Touch Me Festival: OutInOpen. Ed. Tomislav Medak and Petar Milat. Stara Tvornica Badel, 2005. Croatian translation.

  • “Biophilosophy for the 21st Century.” CTHEORY (6 September 2005): http://www.ctheory.net.

  • “Networks, Control, and Life-Forms” (co-authored with Alexander Galloway). SIGGROUP Bulletin 25.2 (2005): 2-8.

  • “Sovereignty and the State of Emergency” (co-authored with Alexander Galloway). Kritikos: A Journal of Postmodern Culture, Sound, Text, and Image 2 (July 2005).

  • “Nomos, Nosos, and Bios.” Culture Machine 7 (special issue Biopolitics, 2005): http://www.culturemachine.net.

  • “Living Dead Networks.” Fibreculture 4 (special issue Contagion and the Diseases of Information, 2005): http://journal.fibreculture.org.

  • “Review of New Philosophy for New Media by Mark Hansen.” Leonardo Digital Reviews (2005): http://www.leonardo.info.

  • “Review of VAS: An Opera in Flatland by Steve Tomasula.” Leonardo Digital Reviews (2005): http://www.leonardo.info.

  • “Review of Liminal Lives by Susan Squier.” Leonardo Digital Reviews (2005): http://www.leonardo.info.

  • “Review of Data Made Flesh: Embodying Information edited by Robert Mitchell and Philip Thurtle.” Leonardo Digital Reviews (2005): http://www.leonardo.info.

  • “More Than Many: Paolo Virno’s A Grammar of the Multitude.” Politics and Culture 3 (2005).

  • “In Defiance of Existence: Notes on Networks, Control, and Life Forms” (with Alexander Galloway). Feeling Are Always Local – DEAF 2004. Ed. Joke Brower et al. V2/NAI, 2004.

  • “Darwin’s Waiting Room.” Biomediale: Contemporary Society and Genomic Culture. Ed. Dmitry Bulatov. National Centre for Contemporary Arts, 2004. Russian translation.

  • “Database/Body: Digital Anatomy and the Precession of Medical Simulation.” Images of the Corpse: From the Renaissance to Cyberspace. Ed. Elizabeth Klaver. University of Wisconsin Press, 2004.

  • “Networks, Swarms, Multitudes.” Life in the Wires: The CTHEORY Reader. Ed. Arthur and Marilouise Kroker. NWP/CTHEORY Books, 2004. Reprint.

  • “Protocol, Control, and Networks” (co-authored with Alex Galloway). Grey Room 17 (2004): 6-30.

  • “Networks, Swarms, and Multitudes” (parts 1 and 2). CTHEORY (18 May 2004): http://www.ctheory.net.

  • “Review of Desert Islands and Other Texts by Gilles Deleuze.” Leonardo Digital Reviews (2004): http://www.leonardo.info.

  • “Review of Francis Bacon: The Logic of Sensation by Gilles Deleuze.” Leonardo Digital Reviews (2004): http://www.leonardo.info.

  • “Review of Connected by Steven Shaviro.” Leonardo Digital Reviews (2004): http://www.leonardo.info.

  • “Three Lessons on Pop Biotech.” GeneWatch: The Magazine of the Council for Responsible Genetics 17.4 (July-August 2004): 3-5.

  • Contributor, First Person: New Media as Story, Performance, and Game. Ed. Noah Wardrip-Fruin and Pat Harrigan. MIT Press, 2004.

  • Contributor, Debug: Primary Techno Noir. Ed. Kenji Siratori. iUniverse Press, 2004.

  • “Protocol Is as Protocol Does.” Preface for Alexander Galloway, Protocol: How Control Exists After Decentralization. MIT Press, 2004.

  • “Rats, Bats, and Packs.” Animality – The Postmodern Animal. Ed. Ron Broglio. Perforations/Public Domain Inc., 2004.

  • “Body Horror is Back (Because it Never Left).” Mute Magazine (24 September 2003): http://www.metamute.org.

  • “Protocol and Counter-Protocol” (with Alexander Galloway). Code – The Language of Our Time? Ed. Gerfried Stocker and Christine Schöpf. Linz: Ars Electronica/Springer, 2003. German translation.

  • “Aesthetic Biology, Biological Art.” Journals of the ACM (Fall 2003).

  • “Bioinformatics and Bio-Logics.” Postmodern Culture (Winter/Spring 2003): http://muse.jhu.edu/journals/postmodern_culture.

  • “Genetic Difference in the Global Genome.” Leonardo Electronic Almanac 11.11 (November 2003): http://www.leoalmanac.org.

  • “What is Biomedia?” Configurations 11.1 (Winter 2003): 47-81.

  • “Science/Fiction: The Science Fictioning of Biotechnology.” 032c Magazine (Winter 2003).

  • “Data Made Flesh: Biotechnology & the Discourse of the Posthuman.” Cultural Critique 53 (special issue Posthumanism; Winter 2003): 72-98.

  • “DNA, Data, and Biomedia.” Larger Than Life. EMAF - European Media Art Festival 2003 catalogue. Osnabrück: EMAF, 2003. German translation.

  • “Review of Hacker Culture by Douglas Thomas.” Leonardo Digital Reviews (2003): http://www.leonardo.info.

  • “Black Magic, Biotech & Dark Markets.” Sarai Reader 03: Shaping Technologies. Ed. Sarai Collective. CSDS, 2003.

  • “Strength of Binding between Ultrahigh Molecular Mass Polyethylene-Hydroxylapatite Composites using 3D Spring Lattice Models.” Diagram: An Anthology of Art, Text, and Schematic. Ed. Ander Monson. Del Sol Press, 2003.

  • “Biohorror/Biotech.” Paradoxa 17 (special issue Horror; 2002): 109-130.

  • “Darwins Wartezimmer/Darwin’s Waiting Room.” Kunstforum International (special issue Transgene Kunst; January-March 2002): 62-76. German translation.

  • “State Biophilosophy: Or, Why are State Bureaucrats Conducting the Public Debate on Biotechnology?” Mute Magazine (18 September 2002): http://www.metamute.org.

  • “Shattered Body, Shattered Self.” Afterimage 29.5 (Special Human Genome Supplement, March/April 2002).

  • “Redefining Bioinformatics.” Korunk 13 (March 2002). Hungarian translation.

  • “Quantum-dot-tagged microbeads for multiplexed optical coding of Biomolecules.” Drunken Boat Issue 4 (Spring 2002): http://www.drunkenboat.com.

  • “Bio-X: Removing Bodily Contingency in ‘Regenerative Medicine.’” Journal of Medical Humanities 23:3/4 (Winter 2002): 239-55.

  • “The Incorporate Bodies of Recombinant Capital.” Dialectical Anthropology 26:1 (2001).

  • “A Philosophical Perspective: The Touch of Telesurgery.” Simulation & Gaming 32:3 (September 2001).

  • “Generation Remediation: A Review of Work by Jay Bolter & Brenda Laurel.” Rhizome.org (Fall 2001): http://www.rhizome.org.

  • “Open Source DNA?” Noema (Fall 2001): http://www.noemalab.com.

  • Editor, “Tech-Flesh: Critical Responses to the Human Genome.” CTHEORY Special Issue (May 2001): http://www.ctheory.net.

  • “New York Dolls: A Review of ‘Behind Closed Doors: The Art of Hans Bellmer’ at ICP.” The Thing Reviews (1 May 2001): http://bbs.thing.net.

  • “The Presence of both Stochastic and Deterministic Dynamics in Electroretinograms Measured Under Identical Experimental Conditions.” 5_trope (May 2001): http://webdelsol.com/5_trope.

  • “Night-Light: Review of Vectorial Elevations by Rafael Lozano-Hemmer.” Rhizome.org (30 April 2001): http://www.rhizome.org.

  • “Diversity.com/Population.gov.” The Walker Arts Center Gallery 9 (Spring 2001): http://walkerart.org.

  • “Lacerations: The Visible Human Project, Impossible Anatomies, and the Loss of Corporeal Comprehension.” Culture Machine (special issue Virologies, 2001): http://culturemachine.tees.ac.uk.

  • “Bio-War & Info-War: The Technoscientific Enhancements of National Security.” “n” Exhibit Catalogue. Locus+, 2001.

  • “The Anxieties of Biopolitics.” Infopeace.org, The Information, Technology, War, and Peace Project (Winter 2001): http://watsoninstitute.org.

  • “Two Disquisitions.” Flashpoint, Issue 4 (Winter 2001): http://www.flashpointmag.com.

  • “Redefining Bioinformatics: Corporealizing Technoscientific Bodies.” Enculturation 3.1 (Fall 2000): http://www.uta.edu/enculturation.

  • “The Mirror, The Lamp, and the Screen.” American Book Review 22:1 (November/December 2000).

  • “Participating in the Biotech Industry: Notes on the Gene Trust.” The Alternative Museum (September 2000): http://alternativemuseum.org.

  • “SF, Technoscience, Net.art: The Politics of Extrapolation.” Art Journal 59:3 (Fall 2000).

  • “The Post-Genomic Era Has Already Happened.” Biopolicy Journal (Fall 2000): http://bioline.bdt.org.br/py.

  • “Giant-Robo: A Review of The Robot in the Garden by Ken Goldberg.” Rhizome.org (12 August 2000): http://www.rhizome.org.

  • “Point-and-Click Biology: Why Programming is the Future of Biotech.” Mute Magazine Issue 17 (Summer 2000): http://www.metamute.org.

  • “Database/Body: Bioinformatics, Biopolitics, and Totally Connected Media Systems.” Switch: The New Media Art Journal (February 2000): http://switch.sjsu.edu.

  • “Performing the Technoscientific Body: RealVideo Surgery and the Anatomy Theater.” Body Modification. Ed. Mike Featherstone. Sage, 2000. Reprint.

  • “Regenerative Medicine: We Can Regrow It For You Wholesale.” Machine Time. Ed. Joke Brouwer et al. V2/NAI Publishers, 2000.

  • An Ideal for Living. Quodlibet, 1999/2000. Limited edition chapbook.

  • “Bioinformatics & Biocapitalism in the Race to Map the Human Genome.” *spark: Exploring Electronic Consciousness (December 1999).

  • “The Thickness of Tissue Engineering: Biopolitics, Biotech, and the Regenerative Body.” Theory & Event 3:3 (Fall 1999).

  • “Streaming Media & Technical Ethics.” Acoustic.Space Issue #2 (Fall 1999).

  • “Vitro Torsional Stability of Proximal Tibial Prosthetic Comparison of Finite Element and Experimental Data.” Black Ice Magazine – Neuromantic Fiction (Fall 1999): http://www.altx.com.

  • “The Visceral Loss of Definition: Monstrous Bodies on the Web.” The Thing Reviews (4 August 1999): http://bbs.thing.net.

  • “Net.art 101: A Critical Introduction to Art on the Web.” American Book Review 20:5 (July/August 1999).

  • “Flesh Pirates: A Report from the ‘Postmodern Piracy & Transgendered Subjects’ Conference.” The Thing Reviews (20 April 1999): http://bbs.thing.net.

  • Recombinant: A Series of Research Papers. n..p., 1999. Self-published chapbook.

  • “Fleshing Out Information: A Review of N. Katherine Hayles’ How We Became Posthuman.” The Thing Reviews (3 March 1999): http://bbs.thing.net.

  • “flesh/threshold/narrative.” The Little Magazine vol. 22 (CD-ROM, 1999).

  • “The Thickness of Tissue Engineering.” LifeScience: Ars Electronica ‘99. Ed. Gerfried Stocker. Linz: Springer, 1999. German translation.

  • “Embody_Dissolve.” Leonardo 32.3 (1999): http://www.leonardo.info.

  • “In Memoriam to the Author: Foucault/Acker Paratexts.” Ackademy: Essays on Kathy Acker (1999).

  • “Performing the Technoscientific Body: RealVideo Surgery and the Anatomy Theater.” Body & Society 5:2-3 (1999).

  • “Bataille/Body/Noise: Notes Towards a Techno-Erotics.” Merzbow: The Pleasuredome of Noise. Ed. Brett Woodward. Extreme Records, 1999. Reprint.

  • “The Voice’s Body: Contemporary Sound & the Voice.” American Book Review 19 (March/April 1998).

  • “Bataille/Body/Noise.” Perforations #15 (1998): http://www.pd.org.

  • “Bioinformatics: Materiality & Data between Information Theory and Genetics Research.” CTHEORY (28 October 1998): http://www.ctheory.net.

  • “Visible_Human.html: Digital Anatomy & the Hyper-Texted Body.” CTHEORY (2 June 1998): http://www.ctheory.net.

  • “Contemporary Technology & Sound.” Network Interzones Anthology. Ed. Mark Amerika (1997): http://www.altx.com.

  • “Recombinant: On the Possibility of the Avant-Garde.” alt.journal - The Graduate Program in Comparative Literature at Emory University (1997).

  • “flesh/threshold/narrative.” Hyper-X Network Installation (1997): http://www.altx.com.

  • “Recombinant.” Basilisk: An Online Journal of Film, Architecture, Philosophy, Literature, Music, and Perception, Issue 2 (1997): http://www.basilisk.com.

  • “Maldoror.” In-corporeal: Reflecting the Art of Antonin Artaud in Real and Virtual Space. Brat Media Arts, The Drawing Center, and the Museum of Modern Art. Online Exhibition (Spring 1996).

  • “This Quintessence of Your Blood.” Degenerative Prose: Writing Beyond Category. Ed. Mark Amerika and Ronald Sukenick. Normal: FC2/Black Ice Books, 1995.

  • Publications in ‘zines, journals, and book arts projects, 1994-1996...